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Full Name and Common Aliases

Elizabeth Strout is a celebrated American author known for her poignant and insightful novels. She is often referred to simply as "Strout" in literary circles, a testament to her prominence and the distinctive voice she brings to contemporary literature.

Birth and Death Dates

Elizabeth Strout was born on January 6, 1956. As of the latest available information, she is alive and continues to contribute to the literary world.

Nationality and Profession(s)

Elizabeth Strout is an American novelist and short story writer. Her works have earned her a place among the most respected authors in modern American literature, with a career that spans several decades and includes numerous accolades.

Early Life and Background

Elizabeth Strout was born in Portland, Maine, and grew up in small towns in Maine and New Hampshire. Her upbringing in New England deeply influenced her writing, providing a rich tapestry of settings and characters that populate her novels. Strout's parents were both educators, which instilled in her a love for reading and storytelling from a young age. She attended Bates College in Lewiston, Maine, where she majored in English. After graduating, she pursued a law degree at Syracuse University College of Law, although her passion for writing ultimately led her to a career in literature.

Major Accomplishments

Elizabeth Strout's literary career is marked by critical acclaim and prestigious awards. Her novel "Olive Kitteridge" won the Pulitzer Prize for Fiction in 2009, a testament to her ability to craft deeply human and relatable stories. The book was also adapted into an Emmy Award-winning HBO miniseries, further cementing its impact on both literature and popular culture. Strout has been a finalist for the PEN/Faulkner Award and the Orange Prize, among others, showcasing her consistent excellence and influence in the literary world.

Notable Works or Actions

Strout's body of work is characterized by its exploration of the complexities of human relationships and the intricacies of small-town life. Her debut novel, "Amy and Isabelle," published in 1998, was met with critical acclaim and set the stage for her future success. "Olive Kitteridge," perhaps her most famous work, is a collection of interconnected stories centered around the titular character, a retired schoolteacher in a small Maine town. Other notable works include "The Burgess Boys," "My Name Is Lucy Barton," and "Anything Is Possible," each of which delves into themes of family, identity, and the passage of time.

Impact and Legacy

Elizabeth Strout's impact on literature is profound, with her works often praised for their emotional depth and keen observations of human nature. Her ability to create vivid, multi-dimensional characters has resonated with readers worldwide, making her novels both relatable and thought-provoking. Strout's exploration of the human condition, particularly within the context of small-town America, has contributed to a greater understanding of the complexities and nuances of everyday life. Her legacy is one of empathy and insight, offering readers a mirror through which to examine their own lives and relationships.

Why They Are Widely Quoted or Remembered

Elizabeth Strout is widely quoted and remembered for her masterful storytelling and her ability to capture the essence of human experience. Her writing is often described as both elegant and unflinching, with a unique ability to convey the beauty and pain of ordinary life. Strout's characters, particularly Olive Kitteridge, have become iconic figures in contemporary literature, embodying the struggles and triumphs of real people. Her quotes often reflect her deep understanding of human emotions and relationships, making them resonate with readers long after the final page is turned. Through her work, Strout has given voice to the quiet, often overlooked moments that define our lives, ensuring her place as a beloved and enduring figure in the literary world.

Quotes by Elizabeth Strout

Elizabeth Strout's insights on:

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My parents were very, very, very strict.
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Everyone thinks they know everything, and no one knows a damn thing.
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How did you ever know? You never knew anything, and anyone who thought they knew anything – well, they were in for a great big surprise.
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I wrote the story, but you will bring to it your own experience of life, and some other reader will do the same, and it will become a different story with each reader. I believe that even the time in your life when you read the book will determine how you receive it. Our lives are changing constantly, and therefore not even our own story is always what we think it is.
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He hated dishonesty – or lack of courage – more than anything.
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Her grandmother said, “Don’t come back. Don’t get married. Don’t have children. All those things will bring you heartache.
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To listen to a person is not passive. To really listen is active, and Dottie had really listened.
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She said that her job as a writer of fiction was to report on the human condition, to tel us who we are and what we think and what we do.
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That day of the parade in the Village, I think – but I’m not sure – that William and I had a fight. Because I remember him saying, “Button, you just don’t get it, do you?” He meant I did not understand that I could be loved, was lovable. Very often he said that when we had a fight. He was the only man to call me “Button.” But he was not the last to say the other: You just don’t get it, do you?
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But I think I know so well the pain we children clutch to our chests, how it lasts our whole lifetime, with longings so large you can’t even weep. We hold it tight, we do, with each seizure of the beating heart: This is mine, this is mine, this is mine.
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